Saturday 27 March 2021

PS to the previous entry: three very enjoyable pieces of music (though, perhaps, not to everyone’s taste) by Stockhausen, Schoenberg and Webern

In a previous post I spoke about ‘abstraction’ in music, painting and — possibly — writing. Just now, to make my point about how some of us, including me, ‘don’t like / understand music, but absolutely love the sound it makes’, I appened three videos of performances of music by Stockhausen, Schoenberg and Webern. Rather than go through what I previously wrote in summary form why not, dear reader, get your finger out and, if you are interested, read that entry here. Here are the three pieces again:

NB I was told a great anecdote about Stockhausen which might be apocryphal or it might be true. He was once rehearsing an orchestra in a new piece and informed one player he did not want him (or her) to come in with his/her part until he/she felt she was in communion with the music of the the universe.
 
But, Herr Stockhausen,’ the player asked, ‘how will I know when I'm in communion with the music of the the universe?

I shall tell you,’ said Stockhausen. 

Here is a Stockhausen piece:


The Schoenberg:



And finally the Webern: 


PS Not quite ‘abstract’ but equally as engaging. Pressure point by Duncan Lamont (new to me, too, but there you go). Just looked him up: he died two years ago at the age of 87. You can find more about him here. If I were a better guitarist and formed a band, this is the kind of music I should like to play.



Here’s a favourite of mine, Kiss That Whispers, by Dave Fiuczinski’s Headless Torsos. I might have posted this before, but as Sam Goldwyn said ‘If the like it once, they’ll love it twice’.



I actually used it in a short video I made (with my then very unsophisticated mobile phone) at an student art exhibition I went to with a friend at which his son had work on display. Here it is:


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