I’m in a bad mood, my wife and the two little kiddiwinks have buggered off somewhere (Elsie has football training, I think), it’s 7.15 at night, no one (i.e. my wife) has mentioned what we are doing about supper — should I prepare something for myself or should I wait until they return whenever they are due to return? — I’ve had two modest glasses of wine, but more to the point I’m at the end of my third glass, there’s no more and I don’t want to drink any spirits or anything stronger than wine, so I thought I might rant a little on my blog.
First complaint: who the bloody hell reads this? I had three acknowledged readers, and the relevant gubbins here which tells me how many (if you want technical chapter and verse, you’re on your own) tells me I still have three, but only two are registered in another area of the technical gubbins, and Mr B. Mc. is observing radio silence. Actually, I think that is because he is having rather a rough time finding another job, to which it is relevant to add that were my shifts at the Mail to end, I would be up shit creek, not only without a paddle but without a fucking canoe. So he has my sympathy and good wishes. That last is relevant because — and it would be too, too tedious to go into any depth here but it involves a new page layout system, a changeover from Mac to PCs, me for the past three weeks doing on my own which on a good day is done by two of us — I have had two rather high-profile bust-ups (strictly ‘busts-up’, but anyone reading this who wants to make exactly that point can go fuck themselves) with a chap who was once the Mail’s production editor, then retired, was then recalled on an expensive consultancy basis to see in the new system and who is to geekdom what the Pope is to the Roman Catholic church. I actually walked off the winner on both occasions, but that means nothing. In the whacky world of the Mail, which is to the feudal system what the Pope is to the Roman Catholic church, such behaviour from the poor bloody infantry — I am still a casual, a chap hired by the day and thus a hack in the strict sense of the word — is at best utterly unacceptable and at worst a hanging offence. The only good aspect to it all is that I usually get on with the chap, his geeky nature notwithstanding, and neither he nor I hold a grudge.
So on to other matters: for the past three weeks I have, almost literally, although obviously not quite literally, been working my bollocks off. A week last Wednesday, when I had the car in London, I was due to drive to Bristol and see Ken, the chap rather closer to death’s door than yours truly unless yours truly falls under a bus at some point over the coming weeks. I usually finish at just after 6pm on Wednesdays, but a week last Wednesday, I was still fucking around with this new system until 8.15, which meant that rather than get to Ken’s by 8.45, I didn’t get there until just after 11pm. Mercifully, he was asleep and hadn’t noticed that I was over two hours late.
This Wednesday I didn’t have the car, but was due to catch a train from Paddington at 7.45. That was late enough for me to hang around for at least an hour after I am due to finish and still get to the station on time. I didn’t go to the gym in the morning, but started work on my pages at 9.15 to make sure everything was done and dusted in good time. It was: I had done all the work I had to do, bar making the chief sub’s marks, by 6.15. It should have been a doddle, but it wasn’t. She didn’t start reading the last two pages, the letters’ pages, until just before 7pm and when, at 7.10pm, I announced that I would have to go to catch my train and that someone else would have to do the marks, it was greeted in much the same way the British public would greet the news that someone had raped the Queen. My name was mud. Bugger that over the past three weeks I had stayed on for several hours longer than I am being paid for, all that was noticed that I had the temerity to ensure I wouldn’t miss my train.
All of you out there who, having read this blog so far, still — still — feel that newspapers are populated by professionals and gentleman: you should, and I hope will, be sectioned.
Friday 12 March 2010
Thursday 4 March 2010
Frederic Raphael insufferable and vain beyond reason: rather like his glittering characters
I drove home from work a day later than usual because I stopped off at Ken’s to see how he was and to give him a little company, and stayed over. So I found myself driving back down the M5 during the day, and it was a little strange because there is far less traffic in the evening when I usually drive. But it allows me to listen to afternoon programmes on Radio 4 and this afternoon Auntie’s Afternoon Play (that’s the BBC’s Afternoon Play — Auntie is just an honorific we use to show how feeble the old broadcaster is getting) was Final Demands by Frederic Raphael, a series of plays in which he brings the characters he first imposed on the world in The Glittering Prizes up to date.
I never saw The Glittering Prizes ‘a BBC drama about the changing lives of a group of Cambridge students first broadcast in 1976. Starting in 1953 with a group of Cambridge students the drama follows them through to middle-age and ends in the 1970s’ (a description from Wikipedia), but at the time you couldn’t but hear about it. It was as though Shakespeare was reborn and had rewritten Hamlet for television. Everyone who regarded themselves as even vaguely middle-class simply gushed about The Glittering Prizes, darling, and wondered why life had been so cruel not to send them to Oxbridge but have them make do with Loughborough.
Raphael was a big noise in literary circles after that and, I should imagine, ever since, no doubt on highly familiar terms with Martin and Hilary and Kingsley and Hanif and Jeanette, but he does absolutely nothing for me. I was first unimpressed with him when I recently watched a DVD of Darling, which starred Julie Christie and Dirk Bogarde and for which he won an Oscar for his screenplay, which baffles me. Everything is in quotable quote. The dialogue was utterly stilted. No one speaks as ordinary folk do. Perhaps Raphael and his clever friends spoke like that at Cambridge but I wouldn’t know — I didn’t go to Cambridge and even if I had and bumped into Raphael and his chums, I wouldn’t have been able to stick around for long enough to find out.
Today’s play, the update on all those Glittering Prizes characters, was just as insufferable: the main character, Adam Morris, so obviously and so vainly based on Raphael himself, is incapable of saying anything without turning it into a quip. Morris us an award-winning novelist and screenwriter — ring any bells — happily married to ‘Ba’ for ever. Everything he says, and I do mean everything, has to be smart and seemingly quotable. All the other characters do, too. How anyone can think this is great stuff is beyond me. I should imagine it goes down very well in Women’s Institute literature groups. Awful, awful, awful and in true Daily Mail style, I shall tune in to hear the second play — there is a total of six — when it is broadcast to be even further outraged.
I never saw The Glittering Prizes ‘a BBC drama about the changing lives of a group of Cambridge students first broadcast in 1976. Starting in 1953 with a group of Cambridge students the drama follows them through to middle-age and ends in the 1970s’ (a description from Wikipedia), but at the time you couldn’t but hear about it. It was as though Shakespeare was reborn and had rewritten Hamlet for television. Everyone who regarded themselves as even vaguely middle-class simply gushed about The Glittering Prizes, darling, and wondered why life had been so cruel not to send them to Oxbridge but have them make do with Loughborough.
Raphael was a big noise in literary circles after that and, I should imagine, ever since, no doubt on highly familiar terms with Martin and Hilary and Kingsley and Hanif and Jeanette, but he does absolutely nothing for me. I was first unimpressed with him when I recently watched a DVD of Darling, which starred Julie Christie and Dirk Bogarde and for which he won an Oscar for his screenplay, which baffles me. Everything is in quotable quote. The dialogue was utterly stilted. No one speaks as ordinary folk do. Perhaps Raphael and his clever friends spoke like that at Cambridge but I wouldn’t know — I didn’t go to Cambridge and even if I had and bumped into Raphael and his chums, I wouldn’t have been able to stick around for long enough to find out.
Today’s play, the update on all those Glittering Prizes characters, was just as insufferable: the main character, Adam Morris, so obviously and so vainly based on Raphael himself, is incapable of saying anything without turning it into a quip. Morris us an award-winning novelist and screenwriter — ring any bells — happily married to ‘Ba’ for ever. Everything he says, and I do mean everything, has to be smart and seemingly quotable. All the other characters do, too. How anyone can think this is great stuff is beyond me. I should imagine it goes down very well in Women’s Institute literature groups. Awful, awful, awful and in true Daily Mail style, I shall tune in to hear the second play — there is a total of six — when it is broadcast to be even further outraged.
Philosophy - Pt I. What's it all about, then? With references to Sartre, Hume, Bishop Berkeley, Bertrand Russell and a certain London cabbie.
I notice someone else has visited my blog after finding it by googling ‘philosophy’, and they, too, I should imagine, will have trudged off rather disappointed by the lack of intellectual sparkle exhibited here. So just in case someone else does the same — and I am always keen to avoid disappointing the punter, whatever his or her reasons for dropping by — I shall write a few words and try to clarify exactly what my interest in philosophy is and is not.
First off, I should point out that what one man or woman means by philosophy (in the narrow, academic sense) is something of a movable feast. I took a philosophy degree course at Dundee University in the late Sixties/early Seventies and the department there was definitely signed up to what was then known (and, for all I know, might still be today) as the Oxford school of philosophy, which took a — for want of a better word — ‘scientific’ approach to philosophy, in as far as it was strict on what might be regarded as ‘known’ and, in spirit, firmly adhered to an almost mathematical approach to knowledge. The Oxford school regarded — regards? — itself as the orthodoxy and rather looked down on what, I think, it referred to the Continental school of philosophy, which it thought of as ‘sentimental’ in a literal sense. The Continental school, of course, regarded the Oxford school — if it was in the slightest bit bothered, which is probably was not — as being stuck up and elitist. Now I might here and now throw a few names into the pot and attempt to give the impression that I am au fait with their work, but the truth is that I am not.
I arrived at Dundee a very young 18-year-old, and I don’t think I was sufficiently intellectually mature enough to benefit from a degree course of the kind then provided. (These days, I gather rather to my horror, a gradgrindian emphasis on regarding a degree course as a preparation for life in ‘the workplace’ is the vogue, whereas when I went to college, the philosophy of tertiary education was still that its purpose was to train a mind. Thus a history graduate might well, later in life, find himself in building a career in sales, or marketing, or advertising, or in the Civil Service. Undergraduates studying medicine or engineering, of course, were more likely, although no necessarily, to end up working as doctors or engineers, but even then this was not such a given. More on the changing nature of student life in another entry. Why, for example, are students no longer out on the streets protesting?
The strict Oxford school approach did not necessarily preclude us studying philosophy beyond the pale, such as existentialism, but I should imagine doing so was seen as a kind of charitable ecumenical interest. So what Sartre, Heidigger, Kierkegaard and Jaspers had to say was studied, as were Bishop Berkeley (‘we exist because God is thinking about us’), Hume, Locke, Descartes and various other bods. Studying their work was an exercise in seeing what had lead up to the Oxford school.
I was something of an intellectual scavenger and would pick up a snippet here and a titbit there, which, judiciously and strategically thrown into conversation might well give the impression that I knew what I was talking about. Unfortunately I didn’t. In my fourth year, we all attended a seminar on ‘the Vienna Circle’, many of whom had arrived at philosophy from mathematics and treated the subject in much the same manner. This would explain their doctrine (too strong a word, but what the hell) of logical positivism. To this day, I'm not too sure what it is, except that it is grounded in empiricism. (My French cousin, a professor of aesthetics, who must remain nameless after I named him in a previous, now deleted entry, is firmly in the rationalist school, whereas I rather think all that ‘we can work it all out as long as we think it through and have enough red wine’ is err, on the wrong track.)
In my fourth year at Dundee, we students were all expected to write and read ‘a paper’ and in hindsight I hate to think just how jejune mine must have been. I do, however remember, answering, in response to the observation that there was an ultimate truth out there ‘in reality’ to a statement such as ‘the cat sat on the mat’, that such thinking did not and could never account for outright sarcasm. My comment came towards, although not at, the end of the seminar, and I remember it broke up early. At the time I prided myself on having thrown an intellectual spanner into the works, though I now suspect the assembled philosophy staff simply thought ‘life’s too short. Let’s go off an have a cup of tea’.
There is an apocryphal story told my a London cabbie which might illuminate the varying approaches to philosophy and what different people who profess and interest in philosophy think it is. The cabbie stopped in The Strand and immediately recognised that his new passenger was none other than Bertrand Russell.
‘You’re Lord Russell, aren’t you,’ the cabbie said to the passenger.
‘Yes, I am,’ Bertrand Russell replied.
‘All right,’ said the cabbie, ‘what’s it all about then?’
‘And do you know,’ the cabbie later told his friend, ‘he couldn’t tell me!’
Part II to come when I am a little less tired. Good night.
First off, I should point out that what one man or woman means by philosophy (in the narrow, academic sense) is something of a movable feast. I took a philosophy degree course at Dundee University in the late Sixties/early Seventies and the department there was definitely signed up to what was then known (and, for all I know, might still be today) as the Oxford school of philosophy, which took a — for want of a better word — ‘scientific’ approach to philosophy, in as far as it was strict on what might be regarded as ‘known’ and, in spirit, firmly adhered to an almost mathematical approach to knowledge. The Oxford school regarded — regards? — itself as the orthodoxy and rather looked down on what, I think, it referred to the Continental school of philosophy, which it thought of as ‘sentimental’ in a literal sense. The Continental school, of course, regarded the Oxford school — if it was in the slightest bit bothered, which is probably was not — as being stuck up and elitist. Now I might here and now throw a few names into the pot and attempt to give the impression that I am au fait with their work, but the truth is that I am not.
I arrived at Dundee a very young 18-year-old, and I don’t think I was sufficiently intellectually mature enough to benefit from a degree course of the kind then provided. (These days, I gather rather to my horror, a gradgrindian emphasis on regarding a degree course as a preparation for life in ‘the workplace’ is the vogue, whereas when I went to college, the philosophy of tertiary education was still that its purpose was to train a mind. Thus a history graduate might well, later in life, find himself in building a career in sales, or marketing, or advertising, or in the Civil Service. Undergraduates studying medicine or engineering, of course, were more likely, although no necessarily, to end up working as doctors or engineers, but even then this was not such a given. More on the changing nature of student life in another entry. Why, for example, are students no longer out on the streets protesting?
The strict Oxford school approach did not necessarily preclude us studying philosophy beyond the pale, such as existentialism, but I should imagine doing so was seen as a kind of charitable ecumenical interest. So what Sartre, Heidigger, Kierkegaard and Jaspers had to say was studied, as were Bishop Berkeley (‘we exist because God is thinking about us’), Hume, Locke, Descartes and various other bods. Studying their work was an exercise in seeing what had lead up to the Oxford school.
I was something of an intellectual scavenger and would pick up a snippet here and a titbit there, which, judiciously and strategically thrown into conversation might well give the impression that I knew what I was talking about. Unfortunately I didn’t. In my fourth year, we all attended a seminar on ‘the Vienna Circle’, many of whom had arrived at philosophy from mathematics and treated the subject in much the same manner. This would explain their doctrine (too strong a word, but what the hell) of logical positivism. To this day, I'm not too sure what it is, except that it is grounded in empiricism. (My French cousin, a professor of aesthetics, who must remain nameless after I named him in a previous, now deleted entry, is firmly in the rationalist school, whereas I rather think all that ‘we can work it all out as long as we think it through and have enough red wine’ is err, on the wrong track.)
In my fourth year at Dundee, we students were all expected to write and read ‘a paper’ and in hindsight I hate to think just how jejune mine must have been. I do, however remember, answering, in response to the observation that there was an ultimate truth out there ‘in reality’ to a statement such as ‘the cat sat on the mat’, that such thinking did not and could never account for outright sarcasm. My comment came towards, although not at, the end of the seminar, and I remember it broke up early. At the time I prided myself on having thrown an intellectual spanner into the works, though I now suspect the assembled philosophy staff simply thought ‘life’s too short. Let’s go off an have a cup of tea’.
There is an apocryphal story told my a London cabbie which might illuminate the varying approaches to philosophy and what different people who profess and interest in philosophy think it is. The cabbie stopped in The Strand and immediately recognised that his new passenger was none other than Bertrand Russell.
‘You’re Lord Russell, aren’t you,’ the cabbie said to the passenger.
‘Yes, I am,’ Bertrand Russell replied.
‘All right,’ said the cabbie, ‘what’s it all about then?’
‘And do you know,’ the cabbie later told his friend, ‘he couldn’t tell me!’
Part II to come when I am a little less tired. Good night.
Saturday 27 February 2010
Where are they now? A meditation on how pointless being famous is. With references to Fred Kite and Joe Stalin
When I read about or hear talk of Martin Amis, I am always reminded of Hugh Walpole. Who he? you might ask. Exactly. Who he? But that is the point I am making. Walpole (you can find a potted biography of the chap here) was, for many years in the Twenties and Thirties, the popular novelist, celebrated by everyone who mattered, made wealthy through his work and generally l’homme du jour. But: who he? Amis fulfils rather the same role. Years ago, when he was all the rage, the Eighties’ l’homme du jour and one of the young Turks of Anglo-Saxon literature, I tried to read a novel by Amis, but couldn’t. Not only did it not grab me — one reason for that might be that I was the wrong demographic, being, in the mid-Eighties, already in my mid-30s, but I didn’t think it was particularly well-written. (Will Self another: keeps using obscure words and I can’t but suspect that all he wants to do is make us sit back in admiration.)
Since then, of course, Amis (see here if you are in the slightest bit interested. I’m not but there’s no harm in being charitable) has remained, for those who take these things seriously, in the literary spotlight, although he is by no means any more a young Turk, but has followed in his father Kingsley’s footsteps to become a voice of modern reaction. I suspect that he us still rather prosperous because when the going was good and he still was a name, he cracked the U.S. market and still has sufficient readers there to pay for the Highgate flat and weekend cottage. The U.S. market is so vast that even an also-ran with comparatively poor sales seems to be able, to a certain extent, to cream it. Amis must be in his 60s (er, like me), and I doubt he will be quoted or remembered 30 years from now.
I thought of Hugh Walpole (‘who he?’) and then Amis because I was looking up a quotation. It is something a character said in the film I’m All Right, Jack, a character called Fred Kite, a Communist shop steward (played by the incomparable and highly neurotic Peter Sellers) who is the foil to Ian Carmichael’s young toff working on the shop floor and who falls for Kite’s very pretty daughter. During a conversation when Carmichael is asked for supper at the Kite household, Kite waxes lyrical about Soviet Russia and his lines highlight the fatuous nature of those benighted folk who continued — and continue — to support Joe Stalin despite knowledge of his murderous ways becoming widespread. “Ah, Russia,” says Kite, “all them corn fields and ballet in the evening.” Or not, as we now know.
Looking up that quote, I came across the name Alan Hackney (which sounds as though it is made up, like my fictitious shop steward Ken Vauxhall, but isn’t). Hackney, according to his obituary in the Daily Telegraph, ‘wrote some 30 screenplays, countless television scripts, half a dozen novels – including an international best-seller – and contributed comic pieces to Punch for several decades’. The film I’m All Right, Jack, was based on his novel Private Life, and he also wrote the screenplay.
And the point of it all? Alan Hackney: who he? Barbara Pym, who she? There was a time, believe it or not, when people were asking ‘Johann Sebastian Bach: who he? Despite his widespread reputation during his lifetime both as a an outstanding musician, improviser and composer, Bach was forgotten and almost entirely obscure until he was ‘re-discovered’ 100 years after his death.
Walpole, Pym, Hackney to which we might add Sillitoe, Lawrence, the Flemings (Peter and Ian) and any number over nameless Victorian writers. Who in his or her right mind would be intent on making their name in literature. A fool perhaps. Someone like me. The only definite outcome is bitter, bitter disappointment.
Since then, of course, Amis (see here if you are in the slightest bit interested. I’m not but there’s no harm in being charitable) has remained, for those who take these things seriously, in the literary spotlight, although he is by no means any more a young Turk, but has followed in his father Kingsley’s footsteps to become a voice of modern reaction. I suspect that he us still rather prosperous because when the going was good and he still was a name, he cracked the U.S. market and still has sufficient readers there to pay for the Highgate flat and weekend cottage. The U.S. market is so vast that even an also-ran with comparatively poor sales seems to be able, to a certain extent, to cream it. Amis must be in his 60s (er, like me), and I doubt he will be quoted or remembered 30 years from now.
I thought of Hugh Walpole (‘who he?’) and then Amis because I was looking up a quotation. It is something a character said in the film I’m All Right, Jack, a character called Fred Kite, a Communist shop steward (played by the incomparable and highly neurotic Peter Sellers) who is the foil to Ian Carmichael’s young toff working on the shop floor and who falls for Kite’s very pretty daughter. During a conversation when Carmichael is asked for supper at the Kite household, Kite waxes lyrical about Soviet Russia and his lines highlight the fatuous nature of those benighted folk who continued — and continue — to support Joe Stalin despite knowledge of his murderous ways becoming widespread. “Ah, Russia,” says Kite, “all them corn fields and ballet in the evening.” Or not, as we now know.
Looking up that quote, I came across the name Alan Hackney (which sounds as though it is made up, like my fictitious shop steward Ken Vauxhall, but isn’t). Hackney, according to his obituary in the Daily Telegraph, ‘wrote some 30 screenplays, countless television scripts, half a dozen novels – including an international best-seller – and contributed comic pieces to Punch for several decades’. The film I’m All Right, Jack, was based on his novel Private Life, and he also wrote the screenplay.
And the point of it all? Alan Hackney: who he? Barbara Pym, who she? There was a time, believe it or not, when people were asking ‘Johann Sebastian Bach: who he? Despite his widespread reputation during his lifetime both as a an outstanding musician, improviser and composer, Bach was forgotten and almost entirely obscure until he was ‘re-discovered’ 100 years after his death.
Walpole, Pym, Hackney to which we might add Sillitoe, Lawrence, the Flemings (Peter and Ian) and any number over nameless Victorian writers. Who in his or her right mind would be intent on making their name in literature. A fool perhaps. Someone like me. The only definite outcome is bitter, bitter disappointment.
Thursday 25 February 2010
A quick note - and something of an apology - to those who arrive here after using the search term 'philosophy'. (But don't despair)
A year or so ago, I signed up with some website which ‘monitors the traffic to your blog’. The point of the website, I think, is to get you interested in other — paid for — services it offers which, as far as I can tell, involved ‘directing more traffic to your site’. Well, as I don’t give a tinker’s cuss for ‘directing more traffic to my site’ and as I am loath to part with money for that kind of thing, I have forgotten about the site. However, I am still signed in and I still get an email from it every time this blog is viewed after it is tracked down using one of the ‘buzzwords’ in my profile (I think. As I have said, it is all in the realms of unimportant gobbledegook to me).
Now one of those ‘buzzwords’ is ‘philosophy’ but I should imagine that punters viewing this will be somewhat disappointed to discover that the closest it gets to ‘discussing philosophy’ is pretty damn far from what they might be interested in.
As it happens, I studied philosophy at Dundee University in the days when attending university didn’t cost you an arm and a leg and there are various questions which still interest me (of which more in a future entry). But experience has taught me that all-to-often punters who profess ‘an interest in philosophy’ are simply interested in discovering ‘what it’s all about’, which is not the point of philosophy (or rather is not the point of philosophy in which I was schooled at Dundee — schooled being an acceptable euphemism for attending the occasional lecture, although I was conscientious about attending seminars and tutorials because, well, it interested me).
In fact, I rather doubt you could get any kind of agreement on what philosophy ‘is’.
So: my apologies to all those who look up my blog seeking some kind of enlightenment, but who are rapidly reduced to asking themselves ‘who is this pillock?’ But there is the promise of future entries to come, including one on the stranglehold relativism has acquired on thought, how on earth people can insist on the absolute nature of ‘human right’ but, in the same breath write of any talk of ‘God’ as complete bollocks, why, essentially, almost all philosophical ‘problems’ can be boiled down to an aspect of what, in the area of moral philosophy, can be described as ‘the is/ought gap’, and whether First Great Western provides by far the words inter-city train service in Great Britain. But don’t hold your breath.
On another topic entirely, Manchester United will, I think, be pipped at the post for the Premier League title this season. They keep trailing by one point, then two points, then one point etc, but if they carry on dropping points in silly ways, they don’t deserve the title.
Now one of those ‘buzzwords’ is ‘philosophy’ but I should imagine that punters viewing this will be somewhat disappointed to discover that the closest it gets to ‘discussing philosophy’ is pretty damn far from what they might be interested in.
As it happens, I studied philosophy at Dundee University in the days when attending university didn’t cost you an arm and a leg and there are various questions which still interest me (of which more in a future entry). But experience has taught me that all-to-often punters who profess ‘an interest in philosophy’ are simply interested in discovering ‘what it’s all about’, which is not the point of philosophy (or rather is not the point of philosophy in which I was schooled at Dundee — schooled being an acceptable euphemism for attending the occasional lecture, although I was conscientious about attending seminars and tutorials because, well, it interested me).
In fact, I rather doubt you could get any kind of agreement on what philosophy ‘is’.
So: my apologies to all those who look up my blog seeking some kind of enlightenment, but who are rapidly reduced to asking themselves ‘who is this pillock?’ But there is the promise of future entries to come, including one on the stranglehold relativism has acquired on thought, how on earth people can insist on the absolute nature of ‘human right’ but, in the same breath write of any talk of ‘God’ as complete bollocks, why, essentially, almost all philosophical ‘problems’ can be boiled down to an aspect of what, in the area of moral philosophy, can be described as ‘the is/ought gap’, and whether First Great Western provides by far the words inter-city train service in Great Britain. But don’t hold your breath.
On another topic entirely, Manchester United will, I think, be pipped at the post for the Premier League title this season. They keep trailing by one point, then two points, then one point etc, but if they carry on dropping points in silly ways, they don’t deserve the title.
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