Friday, 20 March 2015

Something to be getting on with while I get my act together and tell you about my THREE new Mac laptops (bought secondhand, but in great condition) and desperately try to convince you that I am not a nutter. No, sirree, me a nutter who can’t stop buy laptops he doesn’t really need? She’s called Lina and writes and sings great songs

If these don’t play, load for you or even appear, try a different browser. They certainly work in Chrome, sometimes in Firefox and Safari, rarely in Opera. I’ve just installed ‘Maxthon’ on a Mac laptop, and it isn’t working. In Windows on Explorer they didn’t work, but did in Firefox. All very confusing. Beginning to wonder why I posted them in the first place. Sorry, but, you know, it’s an unfair world. Chrome does work, though. 

I’ve been coming across some great music recently. I was going to say ‘by chance’, but if you think about it more or less everything is ‘by chance’. You bump into a friend (say called, I don’t know, Peter Bailey or something like that, why not?) and you get to talk about music, and he says: ‘Pat, I heard this great track the other day, immediately went online to Amazon and bought it, and you’ll love it, I’ll email you an MP3.’ Well, it arrives and you do love it, but it was still ‘by chance’.

OK, so it was a ‘recommendation by a friend’ — but actually you just happened to bump into him that day; or you just happened to text him or ring him or email him and say ‘why don’t we meet up again, it’s been a while’. And that bumping into, happening to text, ring or email — when you could well at that moment have decided to do something else, I don’t know, not watch EastEnders ’cos it’s complete shite, or not watched Big Brother or Celebrity or Britain’s Got Talent ’cos they are complete pants, you get the drift — is still really ‘by chance’. So there you go: by chance.

Glad we got that out of the way, could well have made this entry a tad labourious.

So ‘by chance’ — the track below opens a film called High Crimes by Carl Franklin I was about to watch and still haven’t what with all the pfaffing around of recording this song from Spotify (I know, I know, shouldn’t and all that, but then I shouldn’t drink and drive but I do that all the time, I shouldn’t swear like a fucking trooper but I do that all the time, so, you know, get a life), editing it — you get extraneous bits fore and aft when you record songs illicitly from Spotify (and OK, so I have done it before, all right, so shop me) — then concerting it into an MP3, uploading it to a Google site where you can copy the location address, pasting that address (or part of it) into a piece of code I came across which bypasses the total hassle of creating a video for YouTube (cont p94).

So here it is, give it a listen and love it. I like it a lot, in fact so much that I have already ordered the singer’s first and third albums (after checking out the tracks on Spotify and each one I listened to is great). Listen to the track, then I’ll tell you a bit more about the little I know.



I’m Not The Enemy

BTW It seems this code doesn’t work on the Opera browser.

She’s called Lina and it seems she’s from Denver, Colorado. But rather than me simply repeat what I’ve read on Wikipedia, take a look yourself. And here’s her MySpace page. She doesn’t seem to have her own website. In fact, it’s all a bit of a mystery: she has recorded and released six albums but her ‘career’ seems to be going nowhere. Which is odd, because as a singer/songwriter she seems to have more talent in her little finger than any number of plastic Taylor Swifts. By the way, it seems her music is ‘neo-soul’. Oh well, it has to be called something.

Oh, well. If you like the track I’ve posted her, check out the rest of her stuff, some of which you can hear on MySpace, and if you like that, too, do that gal a favour and part with a few of your shekels and buy several of her albums. Of course, you might me more into that goddam awful country crap sung by very gay looking chaps in cowboy hats. Well, if that’s your bag, Lina most certainly isn’t. Which is your loss not her’s.
The kind of country singer dickhead who gives gays a bad name. His name is Dustin Lynch (should be Lunch), but he can’t be blamed for that.

Here’s one of Lina. Much more like it, isn’t it?


If you liked Lina, you might also like this track, Party Wit Me by Brownstone. OK, a bit old hat now and they aren’t half as sodding plastic as Taylor Swift, which will distress some of you, but it’s good
stuff. With love and kisses from your favourite blogger xxx



Party Wit Me

And as I’m on a roll, here are two from Johnny Guitar Watson. If you like guitar playing, you’ll like it on this one, I Wanna Ta Ta You:



I Wanna Ta Ta You

Then there’s this great little track, the man rapping around 15 years before everyone else invented rapping, it’s called Telephone Bill:



Telephone Bill

A picture of the lad:

And just for good measure, here’s a little Prince (literally in his case, of course), Do Me Baby:



Do Me Baby

Monday, 16 March 2015

The art of marketing: forget Leonardo and Joe Bach - our Jasmine and Piet have just had a wizard wheeze! And a few comments. Also latest on Putin: he’s back (but won't say where he was)

In the course of pursuing an honest living engaged in my day job and ensuring there will be bread on the table of my nearest and dearest (checking that the answers to the Masterquiz questions which will appear in the paper a page along from the questions are the correct ones – can life get any more exciting?) I came across the fact that Wu-Tang Clan has released a new album of which only one copy has been pressed and whose sale will come on condition it will not be played in public for 88 years. Well!

‘Wu-Tang Clan, m’lud? Well, they’re a sort of kind of “hip-hop” combo. They produce music which, I’m informed, is popular with many of the younger generation, m’lud, especially those youngsters who like to think they are “street”, a bit like, if I might venture to attempt to guess what might have been m’lud’s taste in popular music when m’lud was rather younger than he is now, a kind of Beach Boys or Supertramp or Brotherhood Of Man or Stevie Wonder, but a more insistent beat and ghetto lyrics.

“Ghetto” m’lud? Well, it’s where many of the young men who appear in m’lud’s court come from. “Street”, m’lud? Well, from what I can gather from my son, it has to do with using a certain kind of modern slang and pretending you are black, although I understand Wu-Tang Clan are black, so they don’t have to pretend. Yes, of course, m’lud, there is perhaps more to it than that, but perhaps m’lud will forgive me that I am not as au fait with the notion as, say, my son is.’)

That question and answer intrigued me, but I must admit that although the name Wu-Tang Clan did ring a bell, I really wasn’t too sure who they were and initially confused them with Bombay Bicycle Club (of whom I know equally as little and, after googling them now know they have even less in common than with me.

My first reaction was some rich oil sheikh with more money than sense had made an offer that Wu-Tang Clan couldn’t refuse and had bought the album for a sum similar to what it might be expected eventually to make on condition that they didn’t release it to the public. Why? Well, I assumed, it was some kind of novel one-upmanship: when the sheikh and his fellow too-rich-to-be-sane pals got together in his penthouse apartment in London or Paris or New York and were vying with each other as to who was the richest fuckwit of them all, he could whip out Wu-Tang Clan’s latest – it’s called The Wu - Once Upon A Time In Shaolin, for what it’s worth, which isn’t a lot because you’re never going to hear it – as his trump card. Makes a certain kind of sense, doesn’t it?

Then I googled Wu-Tang Clan and found there website (here) and got the full story. Here’s an excerpt: ‘Wu-Tang’s aim is to use the album as a springboard for the reconsideration of music as art, hoping the approach will help restore it to a place alongside the great visual works – and create a shift in the music business, not to mention earn some cash in the process.’ The album will go on


tour in galleries, but those attending will be searched for illicit recording equipment and to further ensure that no recordings will be made, they will only be able to hear it on headphones. Apparently, only one copy of the album has been pressed and this now sits in a custom-made ‘silver and nickel engraved box’ in a vault in the shadow of the Atlas Mountains.

The album’s main producer is someone called Tairk ‘Clivaringz’ Azzougarh (his quote marks, not mine), a chap – a rather pushy chap I would have thought according to the account on the website – who more or less wangled his way into producing the album, then wanted to come up with some novel way of ensuring it had as long a lifespan as possible. And that, m’lud, is, I suggest, the nub of it all. Read the Wu-Tang Clan website blurb and it all makes a certain sense: any number of singers and dancers seem desperate to attain the – to my mind rather spurious – status of ‘artist’ and so, it would seem, do Wu-Tang Clan (. . . use the album as a springboard for the reconsideration of music as art, hoping the approach will help restore it to a place alongside the great visual works . . .). And good luck to them.

But then putting on my cynical hat – which, admittedly, I choose rarely to remove – it struck me: essentially this is just a novel piece of marketing schtick. I mean record label marketing departments the world over must be more than desperate for their label’s clients to stand out from 1,001 other wannabes hoping to launch a career, but there really are only so many tricks. I should imagine that bog roll and washing powder manufacturers are perpetually faced with the same dilemma. And what better way to announce: this is our new album but none of you’se is gonna hear it, bro.

Well, actually, they will, though having it ‘appear’ in art galleries and the like the world over would pretty much ensure that at least half of their fans won’t come along, and that they will, presumably, instead simply attract any number of arty-farty groupies just dying, darling, to brag that they got a ticket to the Tate’s presentation of Wu-Tang Clan’s latest.

There is just one flaw in the whole manoeuvre: so they tour the album in art galleries, then sell off the only copy to the highest bidder who is, apparently, contracted not to allow it to be played in public for 88 years. But isn’t the whole point of buying or downloading the music you like that you can play it again and again and again and again and again (rather like my daughter has played again and again and again and again and again Let It Go, the theme song from Frozen)? I know it’s what I did when I had bought a single or album I liked. You might argue that they’ve got their money so what the hell, but I wouldn’t: I think it is just one more marketing ploy with a rather fatal flaw. . . .

After writing the above piece, I thought I might as well check out Wu-Tang Clan to see what all the fuss is about, and I have to report that I still don’t know what all the fuss is about. I should say that I am one of those poor saps for whom one hip-hop R&B track goes a very long way (rather like the blues, it has to be said), so perhaps I’m not one to judge. But the tracks I heard sounded rather cheesy and predictable. Sorry, lads.

As for this desire – call it an obsession if you like – to be regarded as ‘artists’ and what you produce as ‘art’, well, I don’t really get that, either. For one thing I am of the distinctly minority view that in the sense that most people talk of ‘art’ there is no such thing as ‘art’ – that ‘art has a moral purpose’, that ‘art has a social purpose’ etc ad nauseam (you probably watched the same TV programmes), well count me out. In this case it is probably quite apt to use the cliché ‘follow the money’ and take a close look at who exactly benefits from bigging up ‘art’: why gallery owners, curators, arts journalists and ‘experts’ of every stripe. And if some chappie appers on the gogglebox declaring that, say, what Gilbert & George produce is ‘art’ but that what Alma Tadema produce wasn’t (or at least is ‘bad art’), who are we to contradict. After all, he is ‘the expert’ and we are not.

Bring art back down to earth, I say, stop using is as some failsafe to gain spurious respect and/or pull the birds.

Thursday, 12 March 2015

‘Putin ill’ shock. What can that mean for house prices?

There seems to be quite a crowded agenda of things which are about go belly up and disrupt our lives accordingly. Many, if not most, need not concern us here in Tellytubby land (aka Great Britain, the UK and Old Blighty), but the aftershock of some might well upset our teatime regimes and ensure that the good folk at the Foreign Office don’t knock off at lunchtime on a Friday, but hang around to sort matters out. Where can one begin?

The whole business with Greece - will they, won’t they fuck up the European part of the Western World by telling their creditors to piss off and re-introduce a glass of ouzo as their preferred unit of currency - might for some take centre stage. But let’s be honest, there’s enough shit going on in the world (at least in the Northern Hemisphere - South America, African nations, Asia have enough troubles of their own and aren’t necessarily inclined to spend their time worrying about us however much we might feel put out by their disinterest).

Elsewhere there’s the battle to kick ISIS (IS or ISIL, never trust anyone with more than two names) out of Mosul, then Tikrit (or Tikrit, then Mosul - subs please check), which might superficially sound encouraging until you hear of the concerns of those familiar with that neck of the woods that the Shia militias - which make up a substantial part of the forces fighting IS (ISIS or ISIL, never trust anyone with more than two names - same joke, but I go along with Sam Goldwyn who believed that ‘if they liked it once, they’ll love it twice’) - might well not stick to the more or less admirable plan to neutralise IS, but carry on and kill each and every Sunni they come across.

This, the worriers concede, might well irritate the Saudis - Sunnis to a man (forget about the woman there I’m told). Given that conventional wisdom insists that almost all the trouble in the Middle East is at heart a proxy war between the Sunni Saudis and the Shi’ite Iranians, any ‘peace envoys’ from anywhere are quite simply wasting their time. But that’s not quite it: there’s also the ongoing bollocks in Eastern Ukraine. And that is where the latest piece of news I have come across fits in.

. . .

I have almost finished reading Petet Pomerantsev’s very interesting and very readable book Nothing Is True And Everything Is Possible, and it gave me a fascinating insight into - well, it has to be said - metropolitan Russia, i.e. Moscow. Then, last night, I watched a BBC 2 Newsnight report about the gunning down of Boris Nemtsov which suggested that Vladimir Putin is perhaps not quite as in control of Russia as many, probably Putin himself, like to think. And then I came across these two accounts in the Guardian and the Telegraph, both suggesting that Putin might be ill.

The first thing I noticed was that his age was given as 62. Well, I thought, he’s as healthy as a rat in shit - I’m 65, three years older and have never felt fitter, so why the bloody hell should he be ill? Nonsense, of course - my mother died of a massive heart attack at 60.

No one actually knows whether Putin is ill. They only know that ‘he hasn’t be seen in public’ since March 5. First question: so what? I have just spent three days in bed with a bad cold (for my feminist readers who like to have a good laugh: man flu) and I wasn’t ‘seen in public’ for three days. But there’s the rub: first of all it is now March 12, so Putin ‘hasn’t been seen in public’ for seven days.

Then there’s the obvious point - good of you to point it out - that in the context of world peace I am not half as important or even as influential as Putin. So what can it mean? Well, I don’t know, to be honest. And I must admit that feeling, as one does, quite low when one is afflicted by a bout of man flu, it is a relief not to be obliged to release hourly bulletins as to how you are getting one, with additional piccies to substantiate the veracity of the bulletins.

Folk like Putin, apparently, are obliged to. Or else we must Fear The Worst! Putin is, after all, the man of iron who is apt to wrestle two tigers solo before breakfast. I have noted before in my many ramblings about the former Soviet Union - for I think it is healthier to see it in those terms rather than Russia - that what is most worrying about what is happening there and what might affect us here in the West is the question of succession. It isn’t as though there is some respected and trusted mechanism for the passing on of power.

It seems that there are two distinct factions in the Kremlin as regards the Ukraine: the Peace faction and the War faction. And the names speak for themselves. So - if they exist and it is not all some figment of some journalist’s imagination - to which faction does Putin belong?

Thursday, 5 March 2015

Just for the craic, to keep you occupied while I think up my next inconsequential, derivative, faux relevant entry.

I was looking for some piccies I once used in this blog - the entry was about personal internet radios - and searching Google images I came across a lot of others I have used over the years. So here are several, with value added.

OK, so I lied, but look at the bigger picture: I'm now fucking rich, really, really rich. And a lot bloody richer than you.


Well, it was odd, you know: at first I thought 'Me, a gorilla, get a mortgage? It doesn't make sense!' And then, of course, it made complete bloody sense. 




Fuck, fuck, fuck, fuck, fuck! Did I switch the fucking gas off? Did I? Did I? Oh no! Fuck, fuck!


I don't care if you're gay, just tell my friends that you fuck me stupid every night. Please! Please!


Philosophy? Philosophy? Who gives a flying fuck about philosophy? I've got wine! Get a life!


Jesus, if only I'd started a pension plan when my dad advised me to!


‘. . . and she really, honestly thought we would be impressed! I ask you!’

. . .

Incidentally, while I am compiling this entry (sitting at the kitchen table), my wife, in the living room, is watching something on TV going through ‘hits of the past’, you know that kind of crap, the kind of thing TV puts on to keep its older viewers sweet by letting them pretend they are not yet dying of old age. There were quite a few songs wafting through to where I am sitting which I like. And one or two I don’t like at all, and never have. And what kicked of this addendum to the above post was Wuthering Heights by Kate Bush. Well, make that ‘sodding Kate Bush’, because I don’t mind going public on the fact that I loathe her and her music (except for one song, Babooshka). Who in their right minds likes to listen to a banshee shrieking with lots of faux profound lyrics?

As I am on a roll, I also loathe sodding Nick Drake and don’t particularly care for Tim Buckley or his son Jeff. There, I’ve said it!

PS As I write, there’s another song that has just startd playing that I also I loathe: Bridge Over sodding Troubled bloody Water. I otherwise quite like many things by Simon and Garfunkel and later on just Paul Simn (50 Ways To Leave Your Lover is a great song). But not that one, not Bridge Over sodding Troubled bloody Water. Then there’s sodding John Lennon’s Give Peace A Chance (yeah, right - the irony, the real irony, is that you have to fight for peace. If you want to ponder on the nature and essence of irony, ponder on that one, rather pertinent given all the recent furore about Britain’s Bomber Command bombing Dresden. Wake up, John. Oh, I forgot, he’s dead).

Monday, 16 February 2015

Principles? I have several, though not quite the kind you are thinking off. And who is this Vladislav Surkov? Answers on the usual postcard, please. As for ‘media studies’ degrees, well, stick ‘em up your jacksie (Prof Peter Cole and Prof Roy Greenslade, once, in a saner life when they didn’t take themselves quite so seriously, Pete and Roy from the Pig and Whistle)

It would be misleading – ironically, given who we are dealing with – to claim the print industry – that’s ‘newspapers’ in words we can all understand – and those who work in it don’t have principles. Of course they do. It’s just that their principles are not wholly admirable, but as we generally assume that ‘principles’ are noble beasts, a hack usually keeps his principles to him or herself.

One very useful principle in the life of a hack is: ‘Simplify, then exaggerate’. In that way you don’t confuse the poor reader with detail which they won’t understand – and which you don’t understand, either – but once you have reduced it to primary colours, then given it the necessary spin, well, you have a story. I came across a great example of the principle of ‘simplify, then exaggerate’ the other day when I passed a desk here at work on which a copy of the Daily Express was lying. A day or two earlier, writing in the British Medical Journal Aseem Malhotra, an ‘interventional cardiology specialist registrar at Croydon University hospital, London’ (impressed? I am) said that butter, cheese, red meat and the rest weren’t necessarily the fast track to a quick and early death we have been told they were for the past 30-odd years.

In fact, the data on which that claim had been based was potentially misleading in that it did not cover women. Furthermore, all the substitute ‘spreads’ we had been urged to used instead of butter – I call it crap, and have never given up butter, but that is neither here nor there – might well be more harmful than what they were intended to replace. So far, so interesting and for someone like me who loves butter and cheese, rather reassuring.

 The story was, of course, covered by all the British national newspapers to with varying degrees of responsibility: the Guardian played it straight, the Daily Telegraph – here and here - gave it only the slightest of spin, the Daily Mail managed to sound outraged (but then the Mail is easily outraged on behalf of its readers - outraged readers always come back for more), and the Mirror (formerly the Daily Mirror, and why did they change the title?) also played it straight. What the hell, not much of a story really. But it was the Daily Express which won the cigar in tabloid terms: what was that principle – ‘simplify, then exaggerate’? That is what the Express did, and here’s it’s front page – it’s a classic


Er, not quite. And if you want another a further taste of the Daily Express’s exemplary journalism, try this (at the bottom of the post).

 . . .

Before I took up the life of a sub-editor, ensuring commas were in the right place and that any names mentioned in a news story or feature weren’t misspelled more than once, I was a reporter for six years, first for two weekly papers, then an evening paper, then a morning paper. I mention the papers I worked for because the industry has changed to such an extent here that the usual route to working for one of ‘the nationals’ here in Britain has changed a great deal.

Once you started ‘your career’ – of maybe it’s only mine which deserves the inverted commas – on a weekly paper reporting on flower shows and interviewing crashing bores who own the county’s largest collection of antique beer mats, eventually moved on to the local evening, then a regional morning paper before trying your luck in The Smoke – having made all your awful mistakes by then and learned never to repeat them. These days ‘the nationals’ now seem to take on graduate trainees who are given a brief guide to telling one end of a sentence from the other before joining up and being paid a pittance. Actually, that is probably truer of trainee sub-editors on the nationals. The reporters given shifts by the newsdesk must be reasonably clued up to warrant getting the work so they probably did spend some time as a local newspaper reporter.

I joined the Lincolnshire Chronicle on June 4, 1974, and got fuck-all official training until the following spring when I was sent on a two-month course to learn shorthand and ‘law for journalism’ at Richmond College, Sheffield. Before then I picked up a little on the job, though to be frank that is not necessarily the worst way to go about it. I can’t speak for others, but as far as I am concerned being a newspaper journalist – and I far prefer the term ‘hack’ which doesn’t, as far as I am concerned, carry any negative connotation – is essentially practical, and you can do it or you can’t.

So the bright girls and boys will pick up what they are supposed to be doing in hours, the rest of us took several months to get the lay of the land, and the thickos won’t pick up much at all (and, as a rule, will become the big ‘bastard management’ ‘join the union’ tub-thumpers and full of stories such as ‘they offered me a job on Fleet Street, but we like it round here’ to justify why in career terms they never even left the starting block. Years ago, the thickos who really couldn’t cut it used to drift off into a press officers’ job, public relations and dead-end jobs on trade papers where they would usually die in harness 30 years later. Latterly, PR and press officering has become a damn sight slicker and a great money-spinner if you are any good at it, mainly because the aim is no longer to assist hacks as once it was, but to obstruct them and make sure their pay masters’ arses are covered.

The bright, ambitious ones, on the other hand, were quick on the uptake, seemed to have been around for ages within two days of starting, knew everything that was going on before it had even happened and then were gone and on their way up the ladder within months: bugger if they broke a contract of employment which articled them to a paper for two or three years – the sharper they were, the more contracts they broke: and the news editors they now worked for were glad to get a good operator - good news editors want stories, are never too fussy how they are obtained and if your bright new reporter has fewer scruples than Liberace had wives, who cares?

NB While I was working on the Lincolnshire Chronicle, I got friendly with a hack on the Lincolnshire Echo, the local evening paper, called Peter Kraft. He – I saw them all – had five different driving licences (OK, it was four, but that is gen), all in slight variations of his name. All had penalty points and endorsements.

Then there was the Guardian reporter who arrived in Lincoln in October 1974 to do a piece on the local constituency battle between the sitting MP Dick Taverne and then Margaret Jackson (later the Cabinet minister Margaret Beckett). Taverne had been kicked out of the Labour party the previous year over his enthusiasm for the then European Community – Labour weren’t at all keen in those days. 

Taverne had then formed an independent Labour party in Lincoln and held onto his seat in the February 1974 election, but that October he was defeated by Margaret Jackson/Beckett). The Guardian reporter was Peter Cole, now ‘Emeritus Professor’ in the Department of Journalism Studies at the University of Sheffield, who went on to be editor of the extremely short-lived Sunday Correspondent (September 1989 to November 1990 – will they ever learn?). We both attended a Press conference along with one or two other hacks and I, the trainee scruff from the local weekly was rather in awe of the Guardian journalist from The Smoke and chatted with him.

During the Press conference I noticed that he didn’t have shorthand (and neither did I at that point). So I asked him how he could record what people said – get quotes? ‘Oh,’ he told me loftily. ‘I give a flavour of what they say.’ Well, I now know what he means – and very, very few folk can remember the exact words they used ten minutes ago and if you write a quote they can't remember, well, they cant remember, see, and thats what you tell them – but I did, at the time, think – remember, I was still quite a keen young thing then and had high hopes of making my way – ‘that’s a bit iffy, isn’t it? How can you get quotes if you don’t record exactly what people say?’

Incidentally, others might disagree, but this hack has always felt that turning journalism into an academic subject is grade A bullshit – take note 'Professor' Roy Greenslade, who seems to be forever living off the fact that he once got a tearound in while working at The Sun. (Actually, he was deputy editor for a while, but I make my comments in the spirit of this blog post.) As for a ‘media studies’ degree, the best place for it is as far up your arse as you can stick it without killing yourself.

Notwithstanding that any and every degree course - whether media studies, PPE, history, English Literature, languages or tourism - is most certainly valuable if it trains you brain, mind and intellect to think and gives you the means to tackle almost any job successfully after learning a little bit more about it, you’ll learn as much about reporting, feature writing, dealing with the public and all the rest of what makes up a hack’s professional life from a media studies course as you will be able to learn to drive by reading the Highway Code. Doing it will teach you.

More to the point, they would often rather not know what’s been going on: deniability is worth its weight in gold and not to be sneered at, and as long as you don’t fuck them over. These bright young things used to scare the shit out of me: me sharp? Not in a million years. (I’ve since discovered there’s a lot to be gained by being thought sharp, but that’s another story. The secret is to keep schtumm: if someone thinks you’re a sharp, bright cookie, don’t open your mouth and prove them wrong.)

. . .

One of the first journalistic principles most young reporters hear about – though not all of them seem to adopt it given some of the badly written news stories I occasionally spot in local papers – is quite simple: ‘Don’t let a couple of facts spoil a good story.’ Speaks for itself really: if you have a good tale to tell – and, let’s face it, despite all the hi’falutin talk of the public’s right to know and how the job of the Press is to keep authority in check, all that phoney Lou Grant crap – don’t ruin it.

If a 90-year-old widow has been robbed blind by the local council but the whole matter was at first swept under the carpet but was then eventually sorted out amicably, leave the bit about the happy end until a very short final paragraph, if ‘Council screws widow, 90, rotten!’ is the story you want. OK, you might on the other hand want a hearts and flowers story, because it’s already got out and other papers are carrying it, so that happy ending does go further up the story, but not too far up. The rule is: misery, heartbreak, disaster, grief and all their brothers, sisters and first cousins are hot. Always remember that wise advice: ‘Boy Scout does good deed’ doesn’t sell too many copies and it isn't truth newspapers are after, but big bucks whatever they might tell you.

A reporter for only six years? I hear you ask. Not very long, is it? No, it isn’t. Dear reader, even though I say so myself, I wasn’t a bad reporter, but I wasn’t destined for the top, either. I’ve already admitted that each of the bright, keen-as-mustard young things I worked side-by-side with before they were on their way again before you could even catch your breath scared the shit out of me, and in my heart I knew I wasn’t one of them. Certainly, there are other avenues for a reporter to make her or his way – education correspondent, health correspondent, local authority correspondent – but the truth is I wasn’t interested.

I don’t – and was slowly realising it then – give a flying fuck about ‘news’. My attitude is if it’s important, I’ll hear about it sooner or later, and I consider the standard obsession with ‘hearing the latest development’ a sign of neurosis. So you can see why bit by bit I came to realise that whatever my future was to be in newspapers, it wasn’t going to be as a reporter. There's also the small matter that the public - civilians call them ‘the general public’ - are as a rule dull as ditchwater, never finish their sentences when you need that quote (so you are obliged to make it up), and broadly go on and on an on for hours after you have got what you want and no longer need to talk to them.

Then, of course, there was the little matter of closing down Newcastle airport and grounding all flights all on my own which helped to persuade me that reporting was not to be my long-term future and that I should seek out another avenue - did someone say career path? - in this glorious industry of ours, But that, too, is for another day. But I will say this: that embarrassing matter with Newcastle airport did help me acquire another of my principles, and an invaluable on even though I learned about the hard way, is: Never come clean - ever!

Incidentally, I might perhaps be painting too rosy a picture of our glorious industry. But if you are still intent on making a name for yourself by indulging in all that ‘Lou Grant crap’, don’t bother doing so in, among other countries, Syria, Iraq, Ukraine, Somalia, Pakistan, Paraguay and Brazil – you might well end up dead long before the fags and booze claim you. So far in 2015 – not even two months old – 16 journalists have died in one way or another. In 2014 it was 61. Take a look here for more information.
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I  mentioned a certain Peter Pomerantsev and his new book Nothing Is True And Everything Is Possible the other day. (Here is a review of it which appeared in the Guardian.) He was on the radio this morning on a programme called Start The Week (unfortunately this morning presented by Andrew Marr, but that was just a one-off) and he was giving further details of his take on life in Putin’s Russia. Naturally, this is just his views of the situation there, but whether they reflect the reality or not – and, well, I’m going to go for ‘they do’ – Russia seems like a wackier version of Alice In Wonderland. Pomerantsev mentioned a character called ‘Surkov’ upon whom, it’s claimed, Putin relies quite a bit.

Vladislav Surkov is billed here as more or less the author of Putinism and is said to pull many of the strings. According to Pomerantsev even the opposition parties are Kremlin-sponsored to give the appearance of – well, democracy. Who knows? Could be true, Pomerantsev could be just another stooge putting out a set of lies to counteract another set of lies. After all, ‘nothing is true and everything is possible’. There was even the claim on the programme that Putin’s anti-gay drive at the time of the Sochi Winter Olympics was all a sham, a pose, though I can’t off-hand now remember what – if that is true – it was intended to achieve.

I’ve ordered the book from Amazon and it should arrive tomorrow. I look forward to reading it.