Sunday 3 August 2014

Songs without words Part I (but thankfully no pretentious post-modern Mahleriana, but exactly what it says on the tin: songs without words)

These tracks will not play in Opera. I don’t know why, but they won’t. And please turn up your bass. These tracks need it.

As the title, and the simple reasons these songs are without words are several. In no particular order: not only do I lack the confidence to sing, but even when I am alone I get peculiarly self-conscious trying to sing. Then there is the question of key: you, I and everyone else will suddenly find it far easier to sing a song if the music is in the right key for your voice. The trouble is that when these pieces were ‘composed’, establishing the right key for my voice wasn’t only not one of my priorities, it never even occurred to me.

Whenever you (or I, of course) sing along to a tune and what comes out is crap is not necessarily down to the fact that you have a crap voice and can’t sing, it is also because the music is in the wrong key for your voice. So you strain along, unable to hit the higher notes (or the lower) notes and the result is a dog’s dinner. Each of the following tunes is, in fact, most definitely a song, and although I haven’t written, let alone added lyrics, is in a sense, neither here nor there. I know exactly what each song is about and how I should like to sing it were I ever to get that far (note the pertinent conditional tense).

For years and years and years I have buggered around on guitar and the result was never, ever very good, although I have always had ideas for songs, knowing what kind of drumming I wanted and what other instruments I should like to have as well as the guitar. Only latterly have I put a little bit more effort into my guitar playing by learning scales and, by playing those scales, gaining a certain dexterity (though not much).

Then along came computers and recording software, and that’s how I started. But first another admission: each of the three ‘songs’ below is at least five years old, and I have done very little since, although that is for several quite practical reasons. They were – I won’t say ‘composed’ but will describe it as ‘constructed’ as that is a little more honest – on an desktop Apple Mac runing OS 9.1. The software was Steinberg’s Cubase 5. Well, things have moved on since then, I no longer use that old Apple Mac, and although I still have the Cubase on a hard drive since added to a Power Mac, other circumstances have changed so that I don’t really any more have the facilities to ‘record’.

These songs were all constructed on a set-up on what was then the utility room which my very basic ‘recording studio’ shared with the central heating boiler, a chest deep freeze a fridge and loads and loads of other shite. The advantage was that as it was all at the end of the cottage I live in, no one could hear me and I could sit there till I don’t know when in the early morning piddling around, always, not usually, polishing off at least one bottle of wine. That uitility room is now my teenage son’s bedroom, the computer set-up has been shifted to the living room at the other end of the cottage (which is by no means big) and I simply can’t do what I then did.

The ‘construction’, by which I modestly mean ‘composition’ almost always followed the same routine. Cubase allows you to ‘play’ drums and add bass, keyboards, strings, synths and the rest. The, very limited, guitar playing is live, but there again it isn’t in so far as Thank God For Copy And Paste (which should be immediately apparent to everyone who has done something similar). That meant that I could edit whatever unmitigated crap I played, deleting forever the really bad bits, and using the useful usable bits judiciously. Once I had a rhythm going and almost immediately a bass line (I love bass lines, which we rarely hear but which can make a break a track), I would get an idea and, crucially, very crucially, stick to it and develop it.

All the keyboard parts – all except the sequence on a track called I Fucked It which I shall post in a few days time – were labouriously input not by bloody note, until I got what I wanted. But for that reason they, I’m sorry to say, lack dynamics and personality. They are horribly artificial in a sense, and you will know what I mean. After that it was honing, adding, taking away, editing, till I got what I wanted. Then it was: stop. Don’t fuck around any more and ruin it (more modestly, make it worse than it is now).

As I say, once I had, very early on, decided what kind of track – song – I was going to attempt to do, I focused on that and stuck with it. Oddly, keeping things simple in that way made it easier. I was hopeless at wiring up the guitar. I used an effect box, a very useful one, but even then it all went into the computer via a tiny 1/4in jack and the sound quality suffers. Boy does it suffer. But I do believe that it is the final result which counts.

NB These tracks need to have the bass on your desktop or laptop turned UP. They will sound rather tinny without good bass, and as I said, I like bass. I do have a bass, though I bought one several years after these tracks were made, and none contains any live bass, but if I were ever in a band, any band, bass would be my instrument. Oh, and I shall post another four tracks in the next few days.

. . .

This first track is called The Little Bugger. The singer is reflecting on an abortion a girl had of the foetus he and she created and, many years on, thinks that the child, whether man or woman would now by grown-up. There is a certain amount of guilt involved in – well, I know this is contentious, but it is my view – taking a life. The singing, were it ever to be added, would – should – be anguished in the way many black gospel singers can achieve, and one or two white ones.

Here it is:



The Little Bugger

. . .

The next one is called Let’s Split Up. It’s about a mindless, well-off yuppy couple (I always imagined them having a ‘weekend place’ in The Hamptons, though I’ve never been there) who are both having affairs and decide it it time to go their separate ways. The song is about them discussing what of their various possessions – the Volvo, the Porsche, the various properties they have – should go to whom and to decide amicably to save as much money as possible. (‘We don’t want the lawyers to get all our fucking dough’.) The sticking point is: who will get the young childre, about six and four, because both want to start new, unencumbered lives and neither wants them.

Here it is:



Let’s Split Up

. . .

The last one in this particular blog post is called Jesus Loves Bush. It started life as a rolling, blues format piece, but while I was doing it, I remembered George Dubya’s road to nowhere and reflected yet again what a complete prat he was (is). And then I remembered how much of a song and dance he makes about ‘Jesus’ and how he would challenge folk to ‘pray with him’. The guitar is unadorned:



Jesus Loves Bush

Incidentally, if I have one gift, it’s an ear for cliché. Must be all the years I spent, man and boy, before the mast toiling for our wonderful free press. (In fact, the umbilical cord is still so much intact, I am tempted to refer to our free Press. But only you, Pete, will get that particular joke.)

Wednesday 30 July 2014

Something of a ramble, I’m afraid, and perhaps of little interest to anyone. I might even scrub it at some point, so read it while you can. And this odd ‘let’s biff the Ruskies’ – do our politicians actually think? Er, no, I really don’t believe they do

The problem, for me at least, running a blog such as this which, increasingly but oddly, is attracting comparatively more readers, is that it becomes less and less personal. I don’t put the increase in readers down to any particular brilliant insights I might have – and, to be candid, I have none – but merely because, over time, I have touched upon quite a bit: Egypt, my cars, Francois Holland’s affairs, my breaks abroad, music – classical, jazz, rock and more or less everything else – food, and I don’t know what else. But as it started out as more of an online diary/commonplace book of the kind I kept for about 15 years – and which crucially no one is ever liable to read – it has crept away from that original intention. And for some odd reason that annoys me. But let me be candid again: I am also, for the usual reasons of vanity and ego, encouraged that I get comparatively more readers.

On the other hand I am no Jeremy Kyle candidate, I feel no desire whatsever to let it all hand out, to pass on to anyone who might happen this way my every thought, sentiment and feeling. Every so often I come across other blogs, often because they are recommended by a friend, sometimes because I look at up at random what I come across. And I am not encouraged. None so far, or very few, but make that ‘none’ because there is none which I am enticed to return to for further delectation, has sparked my interest. It is, for example, quite instructive to look at how long a blog is sustained. Most, it seems, are started in a fit of enthusiasm, then slowly fade away as the writer loses interest.

Tonight after work I followed on of my usual patterns. I stopped off at a pub, in the case the ever so expensie Scarsdale in Kensington, for a drink and a cigar. And, as usual, as the alcohol hit my stomach, I got this thought and that and thought to myself ‘now that might be something to record’. There’s more of that on the short walk to my brother’s flat in Earls Court where I stay when I am up working in London. But invariably and inevitably each topic, each thought is forgotten – most usually – or discarded as of no interest to anyone. But there is one which might bear recording, although it will need a certain amount of discipline to record. It is no paritularly original observation that we are all king or queen of our own world.

We are at the centre of everything. It is fashionable to claim that we are all ‘unique’, although in sense we are not. Yet in another sense we are: you, who is reading this, will have a unique take on the world. No one will ever see it throught your eyes. Unfortunately, no one particularly wants to: they are far more fascinated with themselves and seeing the world through their eyes. Yet I wager none of us realises as much. I do every so often, as I suppose you do, but it is not a particular kind thought. After all, as the cliché is, we all die alone.

When I first came to work in London, at the beginning of June 1990, I was not, as the horrible phrase is, ‘in a good place’. I was in the midst of yet another of the bouts of depression which have plagued me for most of my life, I was in debt, I had turned 40, I was going nowhere and I was – quite apart from the depression – fed up. And I came to London and the sheer size of the place made me feel utterly insignificant. But let me point out that feeling ‘insignificant’ was and is not the same was feeling ‘worthless’. It was just that I became very, very aware of what I have pointed out above: that we are all the king or queen of our own world, but that given the huge number of folk who lived in London, there was what seemed like an infinitesimal number of different worlds, each with its own king or queen, each of whom not only took not the slightest interst in me but, crucially, was not in the slightest obliged to do so.

Another cliché is that the more people that surround you, the lonelier you can feel. But I was also quite aware that I wasn’t the only one feeling like that, and, oddly, that comforted me, though admittedly not a great deal. But it was a curious kind of comfort. These days I can walk through more or less the same streets I walked through then (by coincidence the first B&B in for several weeks when I worked my first shifts on the nationals is just around the corner) but I feel nothing of that insignificance.

Certainly, much has changed in my life. I am now married and have to children, and for that, however scratchy my married life might be on occasion (as, I should imagine, the married lives of others are) I am very grateful. But I can still feel an aspect of the insignificance: it is quite easy to call up a sensation that I – and you and he/she/it walking beside me, or laughing in the corner, or jumping on the bus over there, are as numerous as ants in one of the several million anthills around the world. It doesn’t bother me and it is more of an intellectual sensation than an emotional one.

To put it bluntly I am not in the slightest bit unhappy whereas in those years in the early 1990s I was just that. But I can’t ignore that fact that there are a great many people who are unhappy, and I feel both powerless to help them and irritated with myself that I take so much for granted. So far, so much of a ramble. Yet it is something I have wanted to write for a while (thought whether or not it is of any interest to you is another matter). One of the thoughts which occurred to me earlier on was when I was musing on idealism. Is it really such a waste of time? Most certainly as the world over children are born and grow up there will be an never-ending supply of idealists, and for that I thank God.

We need idealists, but just how many idealists are there in, say, Gaza, Syria, Northern Iraq, Libya, Nigeria, the sink estates of Britain and ‘affluent’ Europe, in New Orleans, in the favela of Brazil, in rural India and Pakistan, in Burma, in the Tamil parts of Sri Lanka, in Alaska, in the Aboriginal parts of Australia? Can we really blame the folk there for getting more cynical by the hour? Yet even in those parts and many others there will be young folk hoping – I daren’t same ‘dreaming’ for I eschew cliches, but I should like to – that life might, just might get better.

I have no idea where this entry came from and where it is heading. But what I shall say, and how I shall conclude it, is that the greatest treasure of all is our young. You who is reading this might be 18, 28, 48 or 78. Depending upon your age your reaction might be different. But if you are young, let me end by saying this: keep on dreaming. Aint’ nothing wrong with that. But also be practical. Don’t just dream, think how you might achieve those dreams. God bless. End of sermon.

. . .

Barack Obama is now in his second term as U.S. president and can’t stand again, but as sure as eggs is eggs he will want whoever stands for the Democrats to beat whoever stands for the Republicans in the coming elections. So he’s talking tough (and no one can’t talk quite as well as Barack). Thus we have his sanctions against Russia over its alleged – thought most certainly very likely – support for the Ukrainian separatists. And the EU, still struggling to be taken seriously as a ‘world player’, has today topped those sanctions with ‘hard-hitting sanctions of its own. But all I can do is wonder: who the hell is doing any thinking?

Do the U.S. and the EU really think that boxing Russia into a corner will ‘bring them to heel’? From where I sit and pontificate that’s about as likely as me winning Miss America 2015. I’ve just heard a former British ambassador to Moscow speaking on BBC 2’s Newsnight he thinks the latest action is a disaster. Sir Tony Brenton pointed out that Vladimir Putin has almost unprecedented support in Russia and is seen as a hero for defending his country agains the nasty West, and is thus politically stymied were he ever to appear ‘weak’ by caving into the sanctions.

Sir Tony counsels dialogue, and all I can say is amen to that. But I suspect that is not how Obama and the idiots running the EU see it. I also suspect that their actions are being clouded by agenda of their own, the successful re-elction of a Democrat as president in the U.S. and establishing the EU as a ‘world player’ in Brussels. Sir Tony believes that Putin must be given the opportunity to save face in Russia and be able to present whatever the outcome of this crisis is as a success. Boxing him into a corner will not do that. We here in the West also want to be seen as ‘coming out on top’, hence all this macho willy waving. Is there no end to the stupidity of our politicians? Do you know, I don’t think there is.

Saturday 26 July 2014

Why are so many Ukrainians and Russians interested in Francois Hollande’s shagging? And is La Gayet about to make an honest man of him? Then there’s John O’Hara, who can write the pants of many a modern novelist and (for what seems like the umpteenth time) I plug MY novel. Go on, bloody buy it, I’ve got a cigar habit to keep up

The statistics on for this blog provided by Google (for free, which makes me rather ashamed of my perpetual griping about Google’s highhandedness and the sheer impossibility of ever getting in touch with someone at Google. Still, I’ll carry on whingeing) make interesting, if somewhat baffling reading.

Among other things - what platform they are on when viewing this blog, which browser they are using, whether they are toking up while viewing, that kind of thing - it tells me which posts have most been visited today, this week, this month etc, and where the ‘audience is’.

The odd thing is that consistently the most popular entry since I posted it has been the one in which I managed to establish beyond all doubt - you never lose that old reporter’s instinct, ever - that Francios Hollande, usually described as ‘France’s current president’, does after have a working male member and had been two-timing his then current squeeze Valerie Rottweiler with an actress Fifi la Chance (professional name Julie Gayet).

That was in January, and that post has been visited 184 times over the past 30 days, 96 more than the next most popular entry in the past month in which I extolled the guitar-playing, singing and song-writing of one Jeff Lang, usually described as ‘an Australian’.

The second interesting statistic is that my blog has been attracting a great deal more interest from folk in the Ukraine and Russia. Certainly, they will have been seeking out the platitudes I have been publishing about the comings and goings in the Ukraine and Crimea, but as my musings are, I must be honest, in no way original and now out of date, I do wonder what exactly is attracting their - it has to be said - continuing interest. Are they, too, fascinated - as I am most certainly not - by Hollande’s sex life? Sadly there is no way of knowing what they are looking at. So if anyone in the Ukraine and Russia would care to email me outlining just what it is that attracts them to reading this blog, I would be pleased.

For those who are still taking an interest in the Hollande/Gayet affair, the rumour going the rounds is that he is about to pop the question, apparently, according to the French scandal sheet Closer which first revealed the affair, on August 12 Daily Telegraph and the Daily Mail have both seen fit to report it (though they make no connections at all with that day also been the official start of this year’s wholesale slaughter of grouse in Scotland).

The Happy Couple.

Or as Francois Hollande undoubtedly seems them:


. . .

While on my break in France, which took in five concerts and three glorious meals (quite apart from the very tasty food my aunt prepares) I also finished reading a novel I bought over a year ago and which I can recommend wholeheartedly. It is Appointment In Samara by John O’Hara. On the strength of it I have since ordered Butterfield 8, of which later a heavily sanitised film was made starring Elizabeth Taylor (which has not yet arrived) and a collection of his ‘New York stories’ which arrived a few days ago. O’Hara also wrote a novel called Pal Joey on which the musical of the same name was based.

He was by all accounts a complex man. He started life as a reporter, then as a magazine writer, but almost from the start he had set his mind on becoming a full-time writer and unlike some (i.e. me) put his money, as well as his time and undoubted talent, where his mouth was. It’s odd that although I’m sure many American visitors to this blog have heard of him, we here in Europe are far more familiar with the names of two of his contemporaries, Ernest Hemingway and F. Scott Fitzgerald than with the name John O’Hara. Yet his output was prodigious. Hemingway rated him as does (did? Didn’t he recently die?) John Updike. Other critics are more sniffy, and, oddly, that rather encourages me.

So far I have only read the one novel, but as far as I am concerned he can write the pants of many other more modern writers. It seems part of the sniffiness was that he was said to be ‘impossible’ to deal with and was a lifelong alcoholic forever picking fights in bars. Well, who cares?

So far I have merely read the introduction to the short story collections by E.L. Doctorow (of whose work I have read several novels) and by the man who edited them. And it’s now time for an admission: it is becoming increasingly obvious to me that I am essentially a flaneur, and, as the joke goes, ‘not in a good way’.

What is usually commented on is O’Hara’s ear for naturalistic dialogue - that is, he characters speak to each other as we all speak to each other. It always pisses me off when I pick up a modern novel (or more likely hear one read on Radio 4’s Book At Bedtime) and hear characters addressing each other as though they were characters in a novel.

‘Aldous sighed. “But don’t you think, Cressida, that our lives together have now reached a sort of kind of, kind of sort of arctic impasse, that the thread which once bound us together in a sort of kind of, kind of sort of self-conscious nexus of conflicting obligations is fraying by the day?” ’

 To which Cressida replies:

“Oh, Aldy, my darling Aldy, I’m so very bored with your eternal compulsive analysis of our marriage and your insistent demand that I should sort of kind of, kind of sort live my life as though I were, in a sense, the very embodiment of a modern woman, a template for your stale and ancient masculine rigour!”

 What Cressida should, in fact, have said is: 

“Fuck off, Aldous, you pretentious git!”. But, of course, she won’t, well not in a British novel, anyway.

At the moment the Book At Bedtime is The Miniaturist by one Jessie Burton and what I have so far heard is just terrible. Set in 17th-century merchant class Holland a young, feisty - and apparently feminist - 18-year-old is gets married to a rich man several years older who - this is a moden novel, of course, is gay, an orientation which doesn’t go down in 17th-century merchant class Holland, so he is well in the closet. That very brief outline, of course, might well describe a novel which in the event is very good. But Jessie Burton’s The Miniaturist most certainly isn’t it.

I read that the manuscript was hawked around by an agent and caused a ‘bidding war’ between various publishers. Well, perhaps, but what is most certainly true is when news of that ‘bidding war’ ‘leaked out’ - oh, those damn leaks! - it will have done future sales no end of good. Give me Mr O’Hara any day of the week.

. . .

I have before used this blog to plug my novel, with so far zilch effect. So I hope it might attract some of you to visit Amazon and buy a copy (or download it to your Kindle if you are a skinflint) if I tell you that it is something of a gentle satire of all that overwrought packed-with-emotion bollocks. Go on, try it and make my fortune (though I’m really not holding my breath). I can, at least, assure you that all the commas are in the right place as well as quite a few artistically relevant semi-colons. Oh, and there are several jokes, but I like to think they are not at all obvious.

It’s called Love: A Fiction. Go on, spoil yourselves.

Thursday 24 July 2014

Lay off Israel (and beware those who think in primary colours)

I might come out of my comfort zone here and upset a lot of people, but listening once again to a report on the trouble in Gaza, I’ve decided to add my two ha’porth worth. The popular sentiment is on the side of the Palestinians in Gaza and so, by a rather cynical default, with Hamas. Thus Israel is inevitably cast in the role of ‘bad guy’. If only it were all so reassuringly simple.

I think the first mistake is to imagine there are only two protagonists here. The way I see it, there are three and possibly even four: the Palestinians living in Gaza, Hamas, Israel and Egypt. Specifically, I believe we should query whether Hamas is operating in the best interests of everyone else living in Gaza or, as I have come to believe, is pursuing its own agenda at whatever the human cost knowing full well that once again it is Israel which looks bad.

I don’t here want to go into the ‘rights and wrongs’ of the original establishment of Israel, primarily because I don’t believe there are any ‘rights and wrongs’. As much for political reasons as for anything else the state of Israel was established in 1948 and is now a political fact. And undeniably the Israeli approach to building a country and a strong economy proved to be a lot more effective than that of any other people who had occupied that part of the world. Incidentally, and contentiously - especially in view of what I have already written and shall be writing later on - I don’t buy into this notion that ‘Israel’ was and is the birthright of Jews throughout the world.

Few peoples have been as abysmally treated for the past 2,000 years as the Jews and they have been dispersed throughout the world. But I simply don’t agree that the land that is now Israel should always have been ‘theirs’. It most certainly is now, and I back them up to the hilt in their right and duty to defend themselves and their country. If anyone is to blame for the current chronic crisis in what was once known as Palestine and the surrounding land it is the British who, still operating in imperial mode, simply decreed the state of Israel and to hell with the rights of the folk who were already living there, the Palestinians. And that decree was essentially political.

But even writing that I, too, am straying rather dangerously into primary colours territory. In fact the campaign to have a state of Israel established had begun decades earlier and finally establishing the state was part of complex nexus of obligations and alliances. It wasn’t as though the British decided to do Israel a favour - it might well have been just to get the Stern Gang off their backs.

There is a great deal the Israelis should arguably not be doing: they, too, are at times behaving in imperial mode when they found ever more settlements on ‘occupied land’. I stick that in inverted commas because it, too, is a contentious issue. Israel gained that land after it was invaded - let me stress, it did not start the fight - and quite apart from seeing off the invaders, managed to grab some of their land.

It’s been happening throughout history: California and Texas were acquired on the same basis, but no one in their right mind is demanding that the U.S. returns the states to Mexico who had it before them. But, of course, it wouldn’t stop there: Mexico also took over the land from Native Americans - should it be handed back to them? But the state of Israel is a political fact and - this is crucial - unlike any of the countries that surround it, it is a fully functioning democracy with the rule of law.

What to make of Hamas? Well, I can only go by news reports - as is true of you reading this - and I am struck by just how cynically it is fighting this war: no one seems to be castigating Hamas for using hospitals and schools from which to launch its missiles and as human shields. In fact the boot is very much on the other foot with the bien pensant of the Western world falling over themselves to justify the group’s actions. Let me finish this with a question to all those criticising Israel for the means it has chosen to defend itself: what would you do if you came under attack?

Finally, and very reluctantly, I must admit that I feel I detect more than a trace of latent anti-semitism in the criticism of Israel. You can only believe me when I tell you that I find anti-semitism incomprehensible (rather like I find Chinese, Japanese and Urdu incomprehensible), but there is most certainly plenty of it around and most certainly, whether consciously or not, a great many folk are using the crisis in Gaza to indulge in yet a little more.

Then there is Egypt: I didn’t hear any of the voices now castigating Israel over how it is reacting in Gaze protesting when President Morsi was removed in an army coup. And I don’t hear any of those voices also protesting that the new regime in Egypt is yet another military dictatorship. Egypt, in fact, is no friend of Hamas, whose sympathies are with the Muslim Brotherhood. So Egypt will be rather pleased that Israel has had to take on the dirty work of neutralising Hamas.

As I say, these things are really not at all as simply as Hamas in White Hats and Israel in the Black Hat. Not that most prejudiced folk will care, of course.

NB Reading over the above, I do feel I could well have tried to express myself more subtly. But there you have it: however crude and rough-edged my reasoning, what I have written above represents what I believe. But I’ll repeat: there really are no ‘good guys’ and ‘bad guys’ in this one and beware anyone who tries to persuade you otherwise (usually by shouting you down, and that is never a good sign).

Wednesday 23 July 2014

Several concerts, several good meals and two deaths (RIP Marjorie Deschaux née Hirst and Paul Rogers)

Not yet scribbled anything about my break - ongoing, I don’t fly off until the day after tomorrow - break in South-West France to accompany my aunt to a few concerts.

To recap, this part of the world holds three classical music festivals every year, all (I think) with a slightly different theme. I arrived last Wednesday, and that night it was off to the Chateau Smith Haut Lafitte for a concert by Maxim Vengerov, except that the great man himself didn’t show. He was ill and couldn’t attend/wasn’t ill but couldn’t attend depending upon who you asked. His place Zorin (whose father Zachary helps to organise this particular festival) who played a Beethoven sonata for violin and piano (rather raggedly in my, admittedly, utterly untutored opinion, i.e. ignore what I have just said), then far more recent pieces by, I think - announcements were in French, of which I know less than I know Chinese - Ravel and a few of his contemporaries.

It was obvious, to me at least, that Zorin was far more at home in the jazzier style of early 20th-century French music than in classical early 19th-century German music. Trouble is, of course, that I know less than nothing about it and could well be talking balls. (Yanks: balls)

Then there were no more concerts until Monday night when we went to the smaller Chateau Gravas (which produces Sauternes) for a concert given by a double-bass player called Remy Yulzari and a guitarist called Nadav Lev. Maxim Zorin was also due to play with them, but he failed to show up until more or less towards the end and then played only two pieces as a trio before the concert closed. I have to say I preferred the music the two others played together before Zorin turned up.

Last night it was back to Chateau Smith Haut Lafitte for another concert of pieces for violin and piano, with a buxom Swiss redhead called Rachel Kolly d’Alba (pictured) on the fiddle and Marc Laforet on the joanna playing sonatas by
Debussy, Ravel and Franck and Franz Waxman’s Carmen Fantaisie, which I’m told is a popular concert favourite and very well known, which might explain why I’d never heard of it.

I liked the Ravel best, and thinking of all the other Ravel pieces I’ve heard, many of which I have on my iPod, I yet again laugh when you mention Ravel, everyone and his dog thinks of his Bolero (‘I’m not really one for serious music, but I do love what’s-his-name’s Bolero, you know, tum-ta-ta-ta-ta tum ta-ta-ta-ta, tum-ta-ta-ta-ta tum ta-ta-ta-ta, doooooooooo, do-do do-do do-do due do-do doooooooo, that’s probably not quite the tune, but you know the one I mean, they play it on Radio 2 quite a lot . . . I mean, who could think serious music could be so catchy?’).

Ironically, Ravel himself didn’t take it very seriously and is quoted as saying ‘I have written a masterpiece. Unfortunately, there is no music in it.’ (Incidentally, if I have just described you, the kind of chap or chappess who likes his or her serious music lite, there is a list of Ten Things You Never Knew About Ravel’s Bolero, inevitably in the Daily Mail. If all that makes me sound snobbish, tough titties. I suggest you listen to other pieces of Ravel, and it might well - with a bit of luck - stop you claiming Ravel is your ‘favourite classical composer’.)

Tonight it’s something or other somewhere or other and tomorrow its’ something else or other in Saint-Emilion (you’ll know the name from the wine department at your local superstore). BTW I just looked it up on Google Maps to see whether it was spelled St or Saint and, not for the first time, noticed the the city of Bordeaux is nowhere to be seen. Here are three screens of the map. Question: where’s Bordeaux?
Good Lord, it's disappeared

If you look really carefully, you'll see it's just left of Merignac

Bordeaux - but why not say so?

. . .

Been a couple of deaths recently.

My aunt was very good friends with a former colleague at Bordeaux University where they had both taught different aspect of English. I met her several times, five I think, as my aunt used to see her every Tuesday at her home in a suburb of Bordeaux after her gym class every Tuesday and they had lunch together somewhere or other, and I went with her whenever I was staying.

She was a very engaging Liverpudlian woman, ten years older than my aunt, who had married a French air force officer after the war and had lived in France ever since. I say Liverpudlian, but she was, in fact Scottish and very proud of it, but had grown up in Liverpool and there were still traces of Merseyside in her accent. Her health had been failing for years and she had very little energy, so the past few times I saw her, we only had a drink at her house. She was very fond of the Daily Mail, and because she could received BBC on her satellite TV, she was a great fan of Top Gear and Jeremy Clarkson.

She died a week ago last Monday and was cremated yesterday. My aunt then treated me to a very, very nice lunch at a place called Le Chalet Lyrique, and then we went to her house where we had been invited to take whatever books we wanted. Unfortunately, she almost exclusively read biographies and autobiographies.

In her various bookshelves there were at least 700 of them and I jotted down the titles of a few list here. In addition to what might be thought the ‘obvious’ biographies and autobiographies to have - Bill Clinton’s, his wife Hilary’s, Margaret Thatcher’s and Tony Blair’s - there was also The Billy Butlin Story, Walk-on Part In A Goldfish Bowl (Carol Thatcher), Life In The Farce Lane (Brian Rix), High Hopes (Ronnie Corbett), Don’t Make Me Laugh (Norman Wisdom), My World Is My Bond (Roger Moore), three by Kate Adie, six by Jeremy Clarkson (surely not all autobiographies, though I didn’t check), and autobiographies by Stella Rimmington, Liam Neeson, David Niven, John Simpson and Joanna Lumley.

According to my aunt, her friend wasn’t one for literature despite her job teaching English (in her case linguistics, she utterly defeated me for the few months it was part of my course at Dundee. In fact, had it not been deleted from the course for some reason, I would have failed my degree in English by an even greater margin than I eventually did. I did actually get a degree - I sat for an Honours, but was given an Ordinary - because, I was told, I had done rather well in Philosophy and the department insisted I get at least something however angry the English department were with me for wasting their time completely and utterly.)

I took just five, as far as I was concerned the only worthwhile five of the lot: Last Of The Hotel Metal Men (Derek Jameson), Memoirs (Kingsley Amis), Dorothy Parker: What Fresh Hell Is This (a biography by Marion Meade), At War With Waugh: The Real Story Of Scoop (Bill Deedes), and Gertrude And Alice (a biography of Gertrude Stein and Alice B Toklas by Diana Souham. I suspect I am something of a closet lesbian).

RIP Marjorie Deschaux (née Hirst).

. . .

Then there was the surprise death of one Paul Rogers who has previously been mentioned in the blog. Paul was one of the guys I got to know over these past few years when I stopped off at The Brewer’s Arms in South Petherton, Somerset, on my way home from London to Cornwall every Wednesday night, for a pint or three of cider, a cigar and to watch the second half of whatever Champion’s League match was showing.

When we first got chatting, it would seem Paul, then a just retired social worker (I suspect he was a little younger than me, but could retire early because he was a civil servant), seemed to be the tub-thumping leftie and I, given my restrained view on most things (except idiots who think Ravel’s Bolero is the pinnacle of musical achievement), the Tory.

Over the following months and in many conversations about this that and t’other it slowly became obvious that I was something of a leftie and Paul rather further to the right than he might have thought he was. Latterly, he admitted voting UKIP in the EU elections. I didn’t.

I stopped off at the pub a few Wednesday’s ago and while we were chatting, Paul said he would be at his caravan in Cornwall where he also keeps a small dinghy the following week and did I want to meet up for a drink? I did, and we settled upon meeting up on the Saturday at The Rashleigh Arms in Charlestown, just outside St Austell.

It was a pleasant drink and we chatted about all the things we usually chatted about, and then when it was time to leave, I said I would like to have a look at the old harbour (the set for many a film about 17th/18th/19th seagoing) and would he like to go along. He said, yes, but to my surprise added ‘but not to the bottom’. I was surprised because it really wasn’t far at all, but put his reluctance down to a rather long coughing fit he had just concluded.

Off we went when, after about three minutes he stopped and said he felt dizzy and not very well at all. We then stood there for about ten minutes - after a few minutes he sat down - before he felt well enough to return to his car.

On the way back, we had to stop again because he still felt awful. Back at his car he took out an angina spray, to my surprise, because I had no idea he suffered from angina. Then he took out another inhaler which he told me was for ‘pulmonary congestion’. That he suffered congestion was also news to me. I offered to drive him back to his caravan and pick up my car later, but he would have none of it, and finally drove off. About an hour later I received a text thanking me for standing him lunch and saying he had returned safely.

He was due to return to Somerset the following Thursday, but on that day, the manageress of the caravan site he was using was surprised to see his car still there by lunchtime as he had told her he would be leaving early in the morning. She got no reply from banging on his caravan door, called the police, they broke in and found him dead.

When I heard the news (the publican in South Petherton who knew we were friends got in touch to tell me), I assumed he had suffered a fatal heart attack, but I have since heard from his daughter that, thankfully, he ‘died in his sleep’ because he couldn’t get enough oxygen. Whether it was the painless death that phrase implies is another matter, of course. I, who dreams a great deal (and loves dreaming) can well imagine that you dream you are choking and unable to breath simply because you are unable to breath. And then you die. But I hope it was painless. Oh, and he also introduced me to the rather good music of Jack Lang which I mentioned here.

RIP Paul Rogers.

. . .

Just for the craic ... I posted this photo on Facebook with absolutely no response whatsover, so I’ll try my luck here. The caption is the same. It relates to the Great Liberation of Hibernia (also known as the Scottish independence referendum) due on September 18 - just 58 days away. Oooooh!

 I’m voting Yes! Why don’t you?