I’m back and so is The French Stud

I’ve not written here for several weeks, and I’ve been wondering why. I know it has something to do with reaching a certain age at my last birthday, but it wasn’t that completely, either. But has spurred me on again to put fingers to keyboard is a comment my son has just made. Very often we will watch a film together on a Saturday night, and usually I watch something he will like rather than something I will like which could very well bore him. For example, I watched Killing Them Softly with Brad Pitt several times and think it’s a very good film.

Trouble is it isn’t actually what folk think it will be: just another shoot ‘em up flick with a few punch-ups and car chases (a la Miami Vice). I recommended it and we sat down to watch it (actually lay down, because my wife will have commandeered the TV set - we are a one-set household - so we watch it lying on my bed on my laptop with a earphone splitter. But that’s by the by. I recommended it and it started and I soon sensed he was getting bored (he’s 15/16). So after about 15 I asked him and he admitted he wasn’t enjoying it. From then on if I suggest a film or he asks me to suggest one, I’ll make sure it’s something he might be expected to enjoy.

Tonight I suggested David Fincher’s The Game. I saw it the other night - after having caught the last ten minutes several years ago, so I knew the ending, dammit - and enjoyed it. OK, it’s nothing but a Hollywood shaggy dog story, but it’s done with panache and if you haven’t seen it, i.e. don’t know the ending, it’s very intriguing.

Anyway, I suggested it and he asked ‘is it an old film’. No, I told him, it’s not. When was it made, he asked. I told him ‘1997’. Then it is an old film. I asked him how he worked that out. ‘It was made before I was born,’ he told me. Well, I sort of understand it. The trouble is that the early 1980s still, in some ways, seem like yesterday to me. But anyone born in, say, 1983, would today be 31. So they aren’t ‘like yesterday’.

Here are two more films which I rate a great deal but I’m sure would bore the pants off my son. The both star Tommy Lee Jones, who’s a cracking actor: The Three Burials Of Melquiades Estrada (which he also directed) and In The Valley Of Elah, which is a good take on the pressures which men and women serving in Iraq and Afghanistan had to suffer, although it isn’t a war film as such, but a thriller. Anyway, I’m back.

. . .

The blogger stats tell me that the majority of visitors to this blog are interested in one Francois Hollande (aka The French Stud). I’m not, but the rule is to give your public what they want, so here is the latest pic of Hollande. This time he allows himself to be photograph looking a complete dick in a

 

full traditional Kazakh costume. Next to him is his dealer, one Nursultan Nazarbayev, who likes to be known as The President locally. But as Kazakhstan as an appalling human rights record and isn’t averse to locking up lazy bloggers and throwing away the key, I’d better keep my head down. Except to tell you that Nursultan Nazarbayev is a lovely, lovely man.

. . .

It seems the euro is about to enter a new phase in its slow, but inexorable, journey down the pan, but that’s for another entry.